Wednesday, June 1, 2011

The Last Chapter - 2 Years Later

Hello Reader,

Some of you know me personally, others know me only through my facebook and blog. Either way thank you for following me.

No matter how you know me you know where I've been for the past 2 years. I've been through 3 jobs and 3 living locations, but there's always only been 1 "The Last Chapter". It's hard to believe that it was 2 years ago this month that I started creating this movie. 2 years ago I created River. It was June of 2009 that I sat down in scriptwriting class and began to write this story. Near the middle of June 2009 I handed it off to Erik Franklin who has been in and out of this production through out. He helped mold this into something much better than it was and helped shape the current idea. It was he who decided Charlie needed to be a woman. Months later Erik backed out of more drafts because he felt he didn't have enough time after a very brutal verbal beating from one of my favorite teachers. I was left destroyed... Naomi Hogg jumped on about October which is the same time I cast the actors, Norman Newkirk, Sara Trowbridge, and David Reyes. Naomi molded it further and finally fell off the project in late December leaving Tony and I to tweak and add. I just want to say a few words about my cast and crew before I finish my thought.

Tony Straka was a big part of this. As my co-director and co-producer he really pushed me to not think in a box and think big. We'd figure a way to do it. It's been a fantastic road with Tony making this movie. Tony fell off the project at one point, but came back full force helping me to pick up pieces left from others.

The first person I signed on for this thing was Richard Scott. His level headed and even handed way of crafting a shot in camera is one of my favorite things about how we did this thing. He is a fantastic person to work with and a natural at what he does. I will be working with Richard again. No matter where he is I'll track him down and hire him.

Chris Duerkopp was my next person to call. Chris is so laid back and so brilliant as a DP I can't imagine working without him. He takes my random bullshit pictures and ideas and makes something out of it. There were many times I or Tony came up with something, we went to Chris with it and Chris would look at us for a moment and say..."I think we can do that." There was no drama on Chris' end. He had his crew and he made something out of what could have been nothing. Arguably his cinematography is the best part of the movie.

Amber Siereveld was my AD and she helped me organize most things to keep the production moving. She did a lot of odd jobs to keep us going, like props, food, and other things. It would be hard to have done this without her doing those things.

Tyler Oquist saved my ass more than I care to admit really. I didn't have a dead body, there he was. Richard had to leave for another project, there he was. Tyler picked up where Richard left off and kept us moving. He was fantastic.

Michelle Mai Smith did a bang up job keeping the actors looking sharp and the special effect would have been infinitely more difficult if it weren't for the colors chosen. She's made a few lives much easier.

Naomi Hogg and Erik Franklin both helped me get my initial idea from something that was all over the place to the the tighter, stronger version it is now. Erik is now close to working on the special effects to help us get this done. I see it only fitting for Erik to be one of the first on the project and one of the last off.

My photographers were all fantastic and helps us chronicle this movie for most of it. Bill Doran, Brittany Bailey, and Samantha Karls really helped us out and kept our facebook and official site stocked with photos.

The latest addition to our crew is Nicholas Glenn who got Tony and I a website we can be proud of and not to mention 2 posters which are stellar. He is awesome. I'll be working with him a lot more in the future.

As for actors

Norman Newkirk came in and nailed the part before he even spoke. The guys exudes a certain cool and calm demeanor that was perfect for River. Norman not only made the character, but kept the thing moving with his flexible schedule. He was a joy to work with and is a great friend.

Sara Trowbridge came on the set and instantly lighten the place up. Between her off color jokes and happy exterior she livened up an otherwise busy crew. When casting I was looking for my Jessica Rabbit and we found her in Sara. Fantastic talent and quick on her feet. I am very happy to have worked with someone who was so much fun.

David Reyes, the pull no punches type. He came into casting and leveled the place. He embodied noir and was so well prepared we barely had to think about who Jake was going to be. David told it like it was in the best way possible and kept me on my toes as a director. When stuff was bad he asked why, when stuff was good he blended in. Terrific person and I can't wait for everyone to see what all these actors do on screen.

The long and short of it all is that the movie is getting close. I am shooting for it to be done before August. Sometimes it feels like yesterday other times it feels longer than 2 years. It's been 2 years...I want this to be done...I NEED this to be done. It's been a long journey and a roller coaster really. We're in the home stretch and as soon as this is done we're going into getting it into film festivals. It's been a long 2 year battle, but I am confident in what we have and how it's been done.

Thanks to all who have been here watching and helping.

Simon Karls

Tuesday, February 8, 2011

The Year in Movies 2010

Well 2010 came and went, which means it's time for my best movies of 2010 list. It's had it's ups and downs and there were very few truly brilliant films this year. Sad as it is it's been a poor year. I came in to 2010 hoping that it could be a great year, but well...it was average. Luckily it wasn't as bad as 09 or 07.

We've had to deal with crap like MacGruber, (I hate you Tony.) and The Wolfman, but we were given true gems this year and here are most of them.

10. Daybreakers
Why is there so much hate for this movie? Let me start by saying I've had it up to here with damn vampire movies, for a couple different reasons. 1. They never bring anything new to the table (Underworld) or they get everything wrong (Twilight). 2. They tell the same story in the same way we've seen a million times. That's what makes Daybreakers so good. Not only does it tell the story in a new and interesting way, it also bring new things to the table. It boasts a great cast (Ethan Hawke, Willem DeFoe, Sam Neill) and an even cooler style. It's one of the few January releases I whole heartedly endorse. I wish it did well enough to have a sequel, but it's a horror gem that's gone unseen. It really is a must.

On DVD now.


9. 127 Hours
The real life story of a man trapped in a canyon for 5 days. I just saw this one the other night and am in awe of it. It's hard to watch at times and even more intriguing on how they made a movie about a guy stuck in a canyon for so long interesting for almost 2 hours. James Franco is great and the script is decent and I loved the sound design, it really helps the movie be so difficult to sit through. The biggest issue with it is the end where you actually see the real Aaron. I am not a Danny Boyle fan, but he did earn his Best picture nomination this year.

In Theatres Now



8. Scott Pilgrim Vs. The World
It's the story of Scott Pilgrim who falls in love with a girl who has 7 evil exs who want to kill Scott Pilgrim. From the director of such greatness as Hot Fuzz and Shaun of the Dead comes another great comic adaptation. It's sad that it is such a niche film because it's actually really good and a lot of fun. It's not perfect by any means. The first 15-20 minutes is a tad slow admittedly, but the rest of the movie more than makes up for it. The video game jokes through out are great and the whole experience really pulls you in. They go as far as to make the distribution companies logo 8-bit as well as a lot of the music. If you're in to video games or comics at all you'll really enjoy this movie and to top it off Michael Cera is actually tolerable in this one too.

On DVD and Blu-Ray Now



7. The Town
The sophomore film from one of my new favorite directors, Ben Afflack, yeah you heard that right, Ben Afflack. He's a much better director than he is actor. I loved his first film, Gone, Baby, Gone and The Town doesn't disappoint. It tells the story of a bank robber who falls in love with a woman his team took hostage. It's slow and plodding, but it's highly enjoyable with some soft character moments and funny sight gags. Ben Afflack delivers a good performance as well as Jeremy Renner. It should be getting more award attention, but I am loving what is winning the awards.

On DVD and Blu-Ray Now



6. Shutter Island
Oh, Shutter Island. What a long forgotten movie. Sad really directed by the one and only Martin Scorsese. The story of a detective investigating the case of missing patient 69. Leonardo has slowly become one of my favorite actors. He gives a great acting job with Mark Ruffalo and Scorsese in near top form. Shutter Island is a great thriller with everything you want, action, drama, love, hatred. It has its flaws, but the story more than makes up for the problems it has technically.

On DVD and Blu-Ray Now



5. Tron: Legacy
Tron: Legacy is one of the coolest movies I've seen in a while. With a thumping score created by Daft Punk and advised and couched by Hans Zimmer, the score is a character in and of itself. It has visuals that will leave you spellbound and my favorite part, when you're in the real world the movie is 2D, but when you're in the computer it's 3D. That just adds an extra layer to the movie that is unmatched thus far in the tech world of 3D. Was the 3D amazing? No. This is why I am not a huge fan of 3D because it's still not that good, but over all Tron is a great sequel and a solid technical movie. Can't wait to see what's next.

In Theatres Now



4. Toy Story 3
Normally I don't put pixar on this list, but it's been a weak year and I had to fill the void. I don't care if it's "unoriginal", but I truly believe it's the best of the 3. Any body who is close to my age feels something for the toys and for Andy, I mean shit we grew up with him. This is one of the most heart wrenching and ballsy cartoons ever made. I was in tears multiple times. If you haven't seen it by now you fail at life.

On DVD and Blu-Ray Now



3. Black Swan
If you know me at all you know my love for Darren Aronofsky, his films are gorgeous, heart breaking and many times hard to watch. Black Swan is no exception. Natalie Portman, Vincent Cassel, and Mila Kunis put out a stunning performance. Aronofsky breaks his rule of minimal CGI and creates a story that all artists can relate to. It's a breath-taking view into the struggle of someone who is giving EVERYTHING to do something they're completely passionate about.

In Theatres Now



2. The Social Network
Social Network, the story of a huge contemporary icon. The script is adapted from the book, "The Accidental Billionaires" and the biggest question about the movie is how real it is. Is it fake, is the story real? The funny part is the ONLY person saying the movie is false is Mark Zuckerburg himself, the writer, Aaron Sorkin, says that everything in the movie has something to back it, may it be court documents or Mark's own blog. When Aaron Sorkin wrote the 166 page script he knew that some of it would be cut especially since the director, the brilliant David Fincher, would be under contract to make the movie at, around, or near 120 minutes. Fincher read the script and decided instead of cutting anything the best thing to do would be to make all the actors talk faster. This movie is a thing of beauty, the direction, the cinematography, and even the amazing score created by Nine Inch Nails band member, Trent Reznor. The greatest thing about The Social Network is that it's culturally relevant, it actually means something now. It was so perfectly released in history, any earlier and it would be laughed at, any later and it would be meaningless.

On DVD and Blu-Ray and in Theatres Now




1. Inception
Here it is...are you surprised...probably not. Now in all actuality The Social Network is probably the best movie of the year, but Inception has something that TSN doesn't have amazing mind blowing visuals. I know I talk a lot about movies being more than "just entertainment" and that's why Inception takes the top spot. Not only is it a terrific story, that is nothing but brilliantly and artistically well done, but it also doesn't skimp on stunning visuals and entertainment galore. Inception is the summer movie with brains and that doesn't come along every summer.

On DVD and Blu-Ray Now





Hidden Gems

Red Riding
It's an interesting made-for-British TV 3 part film. The story spans 3 years and multiple people dealing with a series of murders. Red Riding is a plodding, interesting piece that keeps you wondering the whole time. The new Spiderman and hopeful Best supporting actor nominee, Andrew Garfield, plays a reporter attempting to get to the bottom of the murders. Red Riding is a little seen thriller that really deserves more attention. Even I have only seen the first, but if 2 and 3 are half as good as the first it is a movie that must be seen.

Exit Through the Gift Shop
A terrific documentary about the English street artists Banksy and Mr. Brainwash. It's a very cool and slick look into a subculture that frankly very few of us have even looked at. If you haven't seen this yet I highly suggest it.

RED
You may have heard of it, but probably didn't see it. You have Bruce Willis, Morgan Freeman, John Malchovich, and Helen Mirren and ex-CIA agents. With character actors, Richard Dreyfuss and Ernest Borgnine as well as Carl Urban from Star Trek, it's one hell of a cast and a fun ride.

Winter's Bone
The indie movie that is very depressing and not nearly as fun to watch as one would like, but I still suggest it. It's nominated for best picture and Best actress. The story is about a girl who needs to get her father back before the bondsmen take their house away. Definitely see it to see subtle subdued acting at it's best.

Other Great Movies

Kick Ass
I loved Kick Ass. I loved the trailers. I loved the idea. Frankly it's what 2008's Hancock should have been. It's cool and stylish. It's fun and surprising. It's irreverent and doesn't care. In a world where we're all forced to be PC, it's nice to hear a 9 year old say cunt. hahaha I'd probably scream if I heard a real child say that, but that's beside the point. Kick Ass is one of those movies that may not look the best and it may not be a stunning piece of cinematic genius, but it's got a lot of heart and that counts for a lot. It's not a just a guilty pleasure it's a solidly done comic adaptation.

The Expendables
Lots of people hate it because of no story or some stupid crap like that, but come on you don't see this for the story, you see it for Sly, Arnold, Bruce, Mickey, Dolph, Jet, Jason, and other actions stars. It's a lot of fun.

Despicable Me
A great cartoon that isn't getting nearly the respect it deserves. A great story, great characters, and hilarious side characters, with great site gags.

Alice in Wonderland
It's a sequelish of the original cartoon. It's fun to look at and fun familiar characters.

How to Train Your Dragon
The rare great piece of cinema from Dreamworks. Great voice acting, amazing animation, and terrific script.

The King's Speech
Yes it's good. Yes it is superbly acted, but it's not best picture of the year. It's a movie about the true story of a king with a speech impediment, during WW2...So let's recap, period costumes, funny accents, a disability, and during WW2. That's Oscar bait, but those movies don't win. They rarely win. Dont' get me wrong it's a good movie it's just not THAT good.

The Kids Are All Right
It's this years Juno and Little Miss Sunshine. The Oscars pick one tiny comedy/drama to put on a pedestal every year as a form of charity or something. Again it's good, it's just not THAT good. The acting is above average and I LOVE Julianne Moore. I do like it, but am not a huge fan of the ending.

Get Him to the Greek
I love Russell Brand and I love Forgetting Sarah Marshall and this is a psedo sequel. You have to see this insanity!

The A-Team
It's fun and not much more. I liked the cast and loved the fun of it. It fits well with the original show.

Machete
Amazingly full of shlock, it's a great addition to the Grindhouse push from Robert and Quentin.

Worst Movies of the year
1. MacGruber
2. Clash of the Titans
3. The Wolfman
4.The Last Airbender


And Most Overrated

True Grit
People are going to hate me. I liked it, I just didn't love it. It felt too average to be a Coen movie. Jeff was mediocre. His drunkenness was over the top and not very endearing. Sad really. I wanted to love it.


So does anybody have thoughts? Any out of order in your mind? Stay tuned to discuss the Oscar nominations and my predictions in my next blog post.

Don't miss the next hidden gem.

Oscar Predictions

Hey all to save some time and a lot of effort I am going to only talk about the big 5. Those are the ones people really watch for any way.

Best Adapted Screenplay
127 Hours (2010): Danny Boyle, Simon Beaufoy
The Social Network (2010): Aaron Sorkin
Toy Story 3 (2010): Michael Arndt, John Lasseter, Andrew Stanton, Lee Unkrich
True Grit (2010): Joel Coen, Ethan Coen
Winter's Bone (2010): Debra Granik, Anne Rosellini

This whole race comes down to The Social Network. If anybody thinks any other movie has a chance of winning they are stupid. Seriously though if I have to eat my words for this after the Oscars it will be a tragedy. The next best is Toy Story 3. It really is the only other one that has a chance...a thin chance.

Best Original Screenplay
Another Year (2010): Mike Leigh
The Fighter (2010): Scott Silver, Paul Tamasy, Eric Johnson, Keith Dorrington
Inception (2010): Christopher Nolan
The Kids Are All Right (2010): Lisa Cholodenko, Stuart Blumberg
The King's Speech (2010): David Seidler

This one is not nearly as cut and dry as Best Adapted Screenplay. Inception won the WGA, but it could very easily go to The King's Speech. My vote is for Inception. My money is The King's Speech.


Best Actress
Annette Bening for The Kids Are All Right (2010)
Nicole Kidman for Rabbit Hole (2010)
Jennifer Laurence for Winter's Bone (2010)
Natalie Portman for Black Swan (2010)
Michelle Williams for Blue Valentine (2010)

Annette Bening was good in The Kids are All Right, but I found her character overly pissy. Jennifer Laurence was great in Winter's Bone, but the money and my vote goes to Natalie Portman. If you bet against her I can fully blame you. Aronofsky's The Wrestler was primed to win Best Actor for Mickey Roarke when in a huge upset it was given unfairly to Sean Penn, but as of right now safe money is on Natalie Portman.

Best Actor
Javier Bardem for Biutiful (2010)
Jeff Bridges for True Grit (2010)
Jesse Eisenberg for The Social Network (2010)
Colin Firth for The King's Speech (2010)
James Franco for 127 Hours (2010)

This one is easy. Colin Firth. Hands down no question in my mind that this goes to anyone else and deservingly so. Jeff Bridges doesn't even deserve the nomination and James Franco was good, but was stuck in a canyon, the sound was the true star in that movie. No one has seen Biutiful. Which leaves Jesse Eisenberg, who has the best chance of an upset. I am hoping it goes to Eisenberg, but I will not be mad if Firth wins. He did a fantastic job.

Best Director
Darren Aronofsky for Black Swan (2010)
Ethan Coen, Joel Coen for True Grit (2010)
David Fincher for The Social Network (2010)
Tom Hooper for The King's Speech (2010)
David O. Russell for The Fighter (2010)

Let's get one thing straight right now, the Coen Brothers DO NO DESERVE the nomination let alone a win. True Grit was good, but Inception was better. Nolan should have been nominated, he had been nominated every award until the Oscar nom just perpetuating the loathing the Oscars have for Nolan.

Either way the race really boils down to Tom Hooper (The King's Speech) and David Fincher (TSN). I'd love to see Aronofsky win, but he'll have more opportunities and I am betting his best years are ahead of him. Tom Hooper failed multiple times throughout KS with shots and over all feeling. I frankly don't believe he deserves it. My vote and my money is on David Fincher. Not only is The Social Network a pitch perfect movie, but he is amazing at hitting the right note at the right point. This really is Fincher at his best.


Best Picture
Toy Story 3 (2010): Darla K. Anderson
True Grit (2010): Ethan Coen, Joel Coen, Scott Rudin
Winter's Bone (2010): Anne Rosellini, Alix Madigan
The Kids Are All Right (2010): Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray
The Fighter (2010): David Hoberman, Todd Lieberman, Mark Wahlberg
127 Hours (2010): Christian Colson, Danny Boyle, John Smithson
The King's Speech (2010): Iain Canning, Emile Sherman, Gareth Unwin
Inception (2010): Christopher Nolan, Emma Thomas
Black Swan (2010): Mike Medavoy, Brian Oliver, Scott Franklin
The Social Network (2010): Scott Rudin, Dana Brunetti, Michael De Luca, Ceán Chaffin


I have placed the Best pic noms in order from least deserving to most.

Toy Story is great, but IT'S AN ANIMATED MOVIE. They have their own category, they don't need to be nominated for Best Pic. They miss a part of the movie making process which is getting your hands dirty with the cameras on set. So sorry.

True Grit is painfully average and not worthy of the nomination.

Winter's Bone is a nice little movie, but I feel like there is something more that should have ended up on screen. It doesn't feel totally complete.

The Kid's Are All Right is a well written interesting movie with good character connections. It's the first on the list I feel is moderately deserving of it's nom.

The Fighter sounds great. Admittedly I haven't seen it so I'll update this when I see it possibly later this week or early next week.

127 Hours is a hard to watch taut piece of film. Well acted and even better on the technical side. I am glad it's nominated, but it doesn't deserve a win.

The King's Speech is well acted and that alone gets it this high. Set design is what pushes it up more. Cinematography is weak, but editing is terrific. This is the one that has one of the top 2 best shots of winning. It looked like it had no shot until it won the Director's guild, the Producer's Guild, and the Screen Actors Guild. So it could go here.

Inception
You know my feelings. It's well crafted, well written, and amazingly edited. (Should have been nominated for editing)

Black Swan is so superbly crafted and so insanely painful that it is so much deserving of a nomination I just really hope it gets looked at more as the years go on.

The Social Network is the best of the year in terms of great cinema. It was looking amazing for a while until King's Speech won the awards I mentioned above, but I am betting the academy will vote for the real winner this year. I am hoping the DGA, PGA, and SAG were just give me awards so they could award both King's Speech and give Social Network the Oscar and as it has already won, the Golden Globe.

Any thoughts?

Simon